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Its About Rugs
Why
Written by Jim B   
Wednesday, 20 May 2009 21:30


I hope this site will not only help you learn a little about rugs and how they are made,
but plant a seed that will become a passion such as many of us have for
our favorite subject, work of art and decorating tool, rugs.

See when updates are made by following on Twitter
and follow my new blog to talk about rugs and making rugs.

 
Durries - Colorful Rugs of India E-mail
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Written by www.worldoftheindianwoman.blogspot.com   
Sunday, 27 September 2009 22:31

Carpet weaving is not an indigenous craft of India. It was the Mughal rulers of India, who first introduced carpet weaving in the 16th century. Over time carpet weaving traveled to Rajasthan, and the Rajput rulers of Amber and Jaipur patronized the art. The thick woolen carpets with their rich paisley designs, comparable to the carpets of Persia gradually traveled from the homes of the kings to the common citizens of the country. The heavy carpets over time attained the form of the cool, light Durries.

Indian Durrie
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Indian Carpet History E-mail
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Written by www.rugsandcarpets.com   
Friday, 21 August 2009 19:58

carpet sectionWoolen carpets were known in India as early as 500 B.C. References to woven mats and floor coverings can be found in ancient and medieval Indian literature. But the most famous type of Indian carpets, pile carpets came to India in the reign of Akbar in 16th century.

In 1580 A.D. Akbar brought Persian carpet weavers to India and established them there. The art grew and flourished. It was modified per the royal tastes and mixed with the Indian arts. The Persian carpets were thus Indianized.  It spread to the whole subcontinent with each area having its own specialties.

From the beginning, wool or silks have been the basic material of the knotted carpets. The wool may have a variety of origins as per the type of carpet being made. Silk knots are also used in Kashmir region. The patterns varied from vines and floral patterns, animal and bird figures and geometric and calligraphic patterns.

Rugs from Akbar's reign (1556-1605) used cotton warp and wool pile and color scheme had multiple shades of blues, greens, and other colors on a red base. The patterns were an adaptation of Persian style but later modified to Indian tastes.

 

Carpets of Jahangir's reign (1605-27) were more refined. Materials like silk and pashmina were used that allowed greater number of knots to be incorporated. Patterns resembled miniature paintings. Subtle gradations, and shadings with yarns were themselves artistic. The patterns were a reflection of manuscript paintings. They were technically refined in both design and construction. The carpets had scrolling vines, flowering plants, and more naturalistic animals in pictorial or overall pattern.
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Some notes about machine made rugs E-mail
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Written by Bill Mitcheson, Rugs LLC   
Wednesday, 17 June 2009 20:41

There seems to be a feeling among many traditional hand made rug importers that machine made rugs are not worth the money to make them. I think they are wrong. Machine made rugs fit very nicely in the rug world.


Today's consumer is looking for 5x9 rugs that retail from $500 to $1,200 that look stylish and will last 7 to 10 years. They can match these rugs with their $2000 to $3000 furniture and when they want to change the look of the room, they trade the rug out to redecorate. Expendable Fashion. The majority of today's consumers do not necessarily want an heirloom. Less expensive rugs are considered disposable and can be changed out at a reasonable cost.
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Rugs in a catalog from 1912 E-mail
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Written by Jim B   
Monday, 01 June 2009 19:04

axminsterA friend of mine, knowing of my interests in rugs, gave me a catalog that I (of course) found fascinating. It is from the Robert Keith Furniture and Carpet Co., Kansas City, MO and was published in 1912.

While I haven’t found a reference to when the company (apparently) went out of business, they were already 40 years old in 1912.

They sold Rag Rugs, Grass Rugs and Carpets (“made from long, tough prairie grass.”), "Tapestry Brussels" rugs (in 3 qualities) , "Concord Velvet", 4 qualities of Axminster rugs, two they called "Body Brussels" and two qualities of Wilton.

This catalog has 27 patterns illustrated for oilcloth and linoleums. I remember having customers come in to ask for a linoleum rug.

While other products are illustrated in black & white, rug patterns are shown in full color.

Here are excerpts of 3 examples from the catalog:

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Language of Motifs E-mail
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Written by www.carpetrium.com   
Tuesday, 19 May 2009 13:05
motifTurkish Carpets and Rugs in Language of Motifs


Some time ago newspapers reported that there is only one man left in the world who speaks a certain language and that when he dies the language will be forever lost. It will not be the first or the last language to be lost, but it is sad to know it happens. Turkish weavers are not quite so close to the loss of the language of motif and colour but there is concern that the end may not be too many years hence.


motifMost new carpets and kilims are produced in factories or in cottage industry situations where the motifs and colours are dictated by producers and distributors. The colours and motifs are being changed to suit the western market and its influence. To be a success in the market place, the product must suit the colours and furniture styles used by a different culture. Small woven signs or simbols are called motifs and overall pattern is called the design.


motifAs one deciphers the symbols of a small prayer rug one discovers, for example the unbearable agony of losing a child; the grief is as real and as fresh as when the weaver knotted the patterns of her sorrow over forty years ago and one becomes intenesly aware of the human expression in the carpet or kilim. Working on such a carpet becomes therapeutic. The carpet becomes a kind of supreme communication reaching
out to God and men in one spontaneous proclamation.
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